彭思錡 Si-Qi PENG

彭思錡的創作脈絡源自東方意象的精神延伸，藉由自然中衰退的片刻，從構樹與血桐落葉中捕捉天地運行的訊息，思索萬物消長與再生的平衡。她以紙纖與瓷漿包覆真實葉片，在燒製過程中，紙與葉在高溫中焚化，留下細緻如時間刻痕的紋理與孔洞，轉化為陶瓷肌理。作品表面疊加釉彩與金屬質感，葉梗則以生漆緩慢覆蓋，使整體展現出沉靜、內斂的精神性。這些作品不僅凝結陶瓷與生命的脆弱，也成為觀者與自然、物象及內心感知對話的媒介，映照東方順應自然、萬物共生的哲思。

Si-Qi PENG’s artistic practice stems from a spiritual extension of Eastern imagery. Through moments of natural decay—such as the falling leaves of paper mulberry and bleeding-heart trees—she captures the subtle messages of the cosmos, contemplating the cyclical balance of growth, decline, and regeneration. Real leaves are encased in paper fiber and porcelain slip, and during the firing process, both paper and foliage are consumed by heat, leaving behind intricate traces—textures and perforations as delicate as the marks of time—transformed into ceramic surfaces. Layered with glazes and metallic finishes, and with leaf stems patiently coated in natural lacquer, the works exude a sense of stillness and introspective spirituality. These pieces crystallize the fragility of both ceramics and life itself, serving as a medium for dialogue between the viewer and nature, material forms, and inner perception—echoing Eastern philosophies of harmony with nature and the interdependence of all beings.