翻譯：
Upcoming
浮象對語 𝗙𝗟𝗨𝗜𝗗 𝗗𝗜𝗔𝗟𝗢𝗚𝗨𝗘𝗦
浮象對語 ⦙ 樊燕君×陳安琦
𝗙𝗟𝗨𝗜𝗗 𝗗𝗜𝗔𝗟𝗢𝗚𝗨𝗘𝗦 – 𝗙𝗮𝗻 𝗜𝗻 𝗞𝘂𝗮𝗻×𝗖𝗵𝗮𝗻 𝗢𝗻 𝗞𝗲𝗶
藝術家見面會
𝗔𝗿𝘁𝗶𝘀𝘁𝘀 𝗣𝗿𝗲𝘀𝗲𝗻𝘁 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 & 𝗔𝗿𝘁𝗶𝘀𝘁 𝗧𝗼𝘂𝗿
𝟤𝟢𝟤𝟨 𝟢𝟣. 𝟣𝟢 (𝘚𝘢𝘵) 𝟥:𝟢𝟢 ᴘᴍ
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當平常熟悉的物件變得不一樣，
我們也開始用新的眼光看世界。
《浮象對語》是一個關於形象如何在改變中被重新觀看的展覽。當熟悉的物件形態被拆解、並置或轉換，它們不再只是原本的用途，而是在觀看之中，逐漸產生新的關係與感受。
陳安琦透過高跟鞋的重組，回應身體在社會規範中的姿態與限制；樊燕君則將日常形狀轉化，使熟悉之物在陌生之中重新浮現。展覽不提供固定答案，而是邀請觀眾在觀看與停留之間，感受形象如何持續變動，並在其中開啟更多想像的可能。
𝘞𝘩𝘦𝘯 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳 𝘰𝘣𝘫𝘦𝘤𝘵𝘴 𝘣𝘦𝘨𝘪𝘯 𝘵𝘰 𝘭𝘰𝘰𝘬 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵,
𝘸𝘦 𝘴𝘵𝘢𝘳𝘵 𝘵𝘰 𝘴𝘦𝘦 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘸𝘪𝘵𝘩 𝘯𝘦𝘸 𝘦𝘺𝘦𝘴.
𝙁𝙡𝙪𝙞𝙙 𝘿𝙞𝙖𝙡𝙤𝙜𝙪𝙚𝙨 explores how images can be re-seen through change. When everyday objects are dismantled, placed side by side, or transformed, they no longer serve a single function. Instead, new relationships and sensations gradually emerge through the act of looking.
Chan On Kei reconstructs high-heeled shoes to reflect the body’s posture and constraints shaped by social norms, while Fan In Kuan transforms everyday forms, allowing familiar objects to reappear in unfamiliar ways. Rather than offering fixed interpretations, the exhibition invites viewers to slow down, to linger, and to experience how images remain fluid—opening up multiple possibilities of perception and imagination.
樊燕君 ⦙ 𝗙𝗮𝗻 𝗜𝗻 𝗞𝘂𝗮𝗻
畢業臺北藝術大學美術學系碩士學位，主修雕塑，現於廣州美術學院攻讀博士學位。現居澳門，從事美術教育工作與藝術創作。長期參與各類雕塑推廣活動與講座分享，作品曾於澳門、台灣等地展出並獲收藏。近年創作以澳門為主要基地，持續投入雕塑創作與展覽發表。
其創作結合石材與金屬，透過金屬的柔韌與光澤調和石材的堅硬與重量，打破雕塑冰冷剛硬的印象。作品線條圓潤純淨、姿態自然優雅，展現細膩而嚴謹的石雕語彙，並以觸覺經驗賦予雕塑鮮活的生命感。
Fan In Kuan holds an MFA in Fine Arts (Sculpture) from Taipei National University of the Arts and is currently pursuing a PhD at the Guangzhou Academy of Fine Arts. Based in Macao, she is engaged in both art education and artistic practice. She has long participated in various sculpture promotion initiatives and lecture programs. Her works have been exhibited and collected in Macao, Taiwan, and elsewhere. In recent years, Macao has served as her primary base, where she continues to devote herself to sculptural creation and exhibition.
Fan's work combines stone and metal, using the flexibility and luster of metal to balance the hardness and weight of stone, challenging the conventional image of sculpture as cold and rigid. With smooth, refined lines and a natural, elegant presence, her sculptures express a meticulous and disciplined sculptural language, bringing a vivid sense of life through tactile experience.
陳安琦 ⦙ 𝗔𝗻𝗴𝗲𝗹, 𝗖𝗵𝗮𝗻 𝗢𝗻 𝗞𝗲𝗶
畢業於國立臺北教育大學藝術與造形設計學系碩士班，並取得澳門理工學院視覺藝術系學士學位，曾赴國立臺灣藝術大學雕塑系交流研習。其作品曾榮獲「東方基金會造形藝術獎」榮譽獎，並入選「第13屆國際陶瓷器展・美濃」、「景德鎮國際陶藝雙年展」及「第24屆桃城美展」等重要展覽，亦曾於法國、葡萄牙、塞爾維亞、韓國、日本、中國、臺灣與澳門等地展出。
自2015年以來，她的藝術創作以高跟鞋為核心，將其作為女性身份認同與脆弱性的雕塑隱喻。高跟鞋象徵自信、魅力與角色轉換，卻也伴隨疼痛與身體消耗。陳安琦以自身經驗為起點，從高跟鞋的矛盾情感出發，透過物件轉化與重構，描繪美麗與傷害交織的心理狀態，映照女性在社會規範與自我認同之間的拉鋸。
Chen An-Chi holds an MFA in Art and Design from National Taipei University of Education and a BFA in Visual Arts from Macao Polytechnic University. She has also undertaken an exchange at the Department of Sculpture, National Taiwan University of Arts. Her work has received the Honorary Award of the Oriental Foundation Plastic Arts Award and has been selected for major exhibitions such as the 13th International Ceramics Exhibition Mino, the Jingdezhen International Ceramic Biennale, and the 24th Taoyuan Fine Arts Exhibition. She has exhibited in France, Portugal, Serbia, South Korea, Japan, China, Taiwan, and Macao.
Since 2015, her practice has focused on high-heeled shoes as sculptural metaphors for female identity and vulnerability. Drawing from personal bodily experience, she explores the tension between confidence and pain, beauty and injury, reflecting women’s negotiation between social expectations and self-identity.